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"Two men shouldn't love each other. They can't feel the things a man and a woman feel. I mean, if a guy has a lot of bad shit happen to him, and another guy comforts him, that-- that's all it is, right? I mean, that isn't love ...is it?"
(Tobias Beecher, ep 14, Strange Bedfellows)
"Love was the smallest part."
(Chris Keller, ep 31, A Town Without Pity)
Minors and homophobes, please go away. Them what stays, takes their peace of mind into their own hands. Thank you.
Oz belongs variously to Levinson/Fontana,HBO, and Viacom-- homage intended, not profit. This disclaimer applies to this entire website (netdump.com/users/grwc/) and any of G. R. W. Collum's fiction with characters/concepts unique to Oz.
Text (.txt) files should be saved to your hard or floppy disk and then opened with a text editor / word processor such as Claris, Word, or Notepad; unlike web (.htm) files, these text files are not formatted for reading with a browser.
Lights Up, Lights Out (35k); R (.htm version)
or (.txt version)
Bzzz-- lights up-- on your feet, gentlemen!
In the winter, Oswald's dawn preceded true sunrise. "Dawn" found Tim McManus already within Emerald City, striding across the pit of his pet cellblock, red pen clipped to his collar.
Exegesis of Christopher (35k); NC-17; (.htm version)
or (.txt version)
8 Aug 00
Most anything that gets as big a build-up from everybody as sex does, usually turns to shit.
"And I'm supposed to glean what from that story?"
(Tobias Beecher, ep 32, You Bet Your Life)
Review: Episode 25, A Cock & Balls Story (30k) 10 Aug 00
In which Gina runs a script through a cuisinart and Em City resembles the OK Corral... or maybe an episode of South Park (you bastards!)
Review: Episode 29, Gray Matter (30k) 16 Aug 00
In which we mistake ourselves for characters on MST3K, yet Gina finds a limit to her ability to be flippant about Gary Beecher.
"I long ago came to understand that the disturbing elements of force that run through my sexual fantasies are not there because I want to be forced.
"Force is a symbol for intensity."
[...] "There is a tension like that between the spoken and the meant when you call me 'whore' while your eyes are saying 'goddess', and you know what that does to me."
(Allison Londsdale, "The Symbol for Intensity", Anything That Moves no 22)